Typical - Padgett Powell

Picking up BASS again and attempting to inject some life into this project and doing so with encountering Padgett Powell for the first time almost killed the desire in the first several minutes of reading Typical.

You see, I think my mind has lost a great deal of tolerance for literature.

I started my entries on the BASS 1990 on September 11, 2013  and read my first story from that collection and posted my thoughts on the 16^th of that month.

Here it is now November 22, 2016 and I’m still carrying around this book and still writing about how I’m struggling to get through it.

3 years 2 months 11 days later.

I had a pretty good run with the BASS series up until now but my lack of reading…these stories…has caused damage to my lit-mind.

I’ve read plenty over these past three years – but these short stories kept me flexible – nimble. That’s all gone now and was doubly reinforced when reading Typical.

You see, I think I would have consumed and digested the story differently with my old mind. But – we read the stories when we read them – and that too lends to their interpretation.

I enjoyed this story.

Today.

I’m glad I pushed forward past my desire to toss the book aside once again.

This story was the right story to pull me back in and to (at least I feel it has) reignite this project. I wrote a couple of entries ago back in May that I thought the story I had just read would be the one to pull me back in – obviously it wasn’t.

One last thing – I really enjoyed reading Powell’s Contributors’ Notes. He wrote at length on the Molecular Theory of Fiction – basically his thoughts of how a story comes is created and he used Typical as the example detailing 12 origins of certain parts of his short story Typical.  A quick Google search failed to turn a discussion of the "Theory"  in any subsequent interviews or writings or its application on any other pieces of his work. 

Wigtime – Alice Munro

Of all the stories I read by Munro, this has to be my favorite.

When I lived in Negresti there were students from the town and students from the surrounding villages. At that time there weren’t buses or an organized transportation option for the students in the villages to travel to the school. Some students lived in the dorm (where I lived) and some walked over hills, some hitchhiked, and some jumped on the train that arrived in the town crazy early in the morning. I could always tell the commuter students by their shoes. The town students had cleaner shoes and the girls would wear shoes that could only be used for walking on pavement. I felt sorry for the commuter students. I knew that they came from poorer communities…water from a well – limited electricity. Their pants were spattered with dried mud from walking over the hills. I admired their dedication.

I can’t begin to imagine the other difficulties and situations they faced as they walked to and from school. Animals, cars nearly killing them, the elements and of course other people.   

Differently – Alice Munro

Alice Munro, at the age of two or three, in her home town of Wingham, Ontario. PHOTOGRAPH COURTESY ALICE MUNRO

My sixth encounter with Munro in the BASS. Below are links to my entries on her earlier stories in the anthology.

Spelling - 1979

Wood - 1981

Monsieur Les Deux Chapeaux - 1986

Circle of Prayer - 1987

Meneseteung - 1989

I had a little trouble with this story ( As I always seem to have with Munro). Perhaps because I’m still a little rusty. Initially I felt a connection to the story and it stirred feelings about our recent move across town and the frequent visits we make to our old neighborhood and the feelings that surface during these visits.

Midway through though I felt the story shift a bit and I felt a bit like I was reading Updike.

From the Contributor’s Notes section:

“Differently” is an attempt to deal with a place and time in the lives of thirtyish people. Victoria. The period 1968-1974 (?). A peculiar hecticness, destructiveness, happiness, wildness, open play-acting about those years, intensity of friendships and love affairs. Almost a late outbreak of adolescence. Not necessarily to be regretted or deplored or hankered after, just described.

I had a great comment from “Anonymous” after struggling through another Munro story “Circle of Prayer” –

Maybe you just don't fully appreciate Alice Munro's writings---their beauty, grace, and subtlety. The strength of her stories lies in their quiet messages and nuanced meanings. She rarely makes her stories conspicuously understood on initial reading, and sometimes a second and much careful reading is necessary to get down to what she intends primarily to convey in the scenes and situations she writes about.

I love this comment. I agree that at times I do have difficulty seeing the “quiet messages and nuanced meanings” – I do need to look deeper – and I appreciate a reader out there defending Munro and helping me figure this whole thing out.