By The Yellow Lake – Peter Marsh

Peter Marsh (maybe??? MARCHAND, FIRMIN PIERRE)

I struggled to find real meaning in this story.

It just seemed to be just that...a story.

The only relation I could make to it was an attempt by the author to develop a character and have a connection with the reader by drawing them into what can only be seen as an impossible undertaking. –huh? Yeah right.

The main charater excavates sand from beneath the house of a neighbor preventing a room from sinking before an annual lakeside celebration. The scenes are painted nicely by the author...yes, just nicely. Not much more than that. I didn’t get any real meat out of this story. Characters are presented, a plot moves along, but there is no juice. Bit of a struggle to get through this one.

5 out of 10 points.

Psychopolis - Ian McEwan

Ian McEwan - June 21, 1948

A new city, strange inhabitants, friends, lovers, experiences.

The name of this story caught my attention because I could directly apply it to a town where I once lived.

Uncomfortable scenes, characters and conversations. I think we’ve all experienced those.

Finding our place in the world. We’ve all been there before.

I really felt that I was in the late 1970’s when I read this short. Words illustrated the feelings I remember as a young child observing the voices colors and shapes of that time. I really didn’t have any sort of “life experience” at that age...but I think that I had the ability to feel the atmosphere, and McEwan did a wonderful job of taking me there.

The west coast of America has always fascinated me. I don’t really have a desire to go there – even for a visit. I view it as a foreign country. I know that McEwan’s characters still live there...and with that certainty, I think I will delay my vist even more.

7 out of 10.

Murphy Jones : Pearblossom , California – Max Schott

Max Schott Feb. 12 1935

As humans we need other humans at times to buffer us from our past when it makes its way into our present.

Sometimes the past we wish to buffer has a person within it.

As that past returns to our present and just wanting to dip or toe into the tub, we call on our buffers...just so that we can feel the temperature of the water.

It’s important to have these people in our lives. At one time, in my life I actually lived with the thought that I could get by without others operating in the buffer capacity. I lived under the illusion that I could act independently when it came to dealing with life and all that it has to present...the problems.

Simply, we cannot, I cannot, and we should not.

On the surface, there is no reason why this story " Murphy Jones : Pearblossom , California" should appeal to me. That it does, is what makes it good. There wasn’t much of a struggle on first reading, and a second really brought out the highlights.

We may struggle with our pasts, but with the help of those we hold close, that struggle can be made a bit easier.

score 8 out of 10.

Main Street Morning – Natalie L.M. Petesch

Natalie L.M. Petesch

Natalie L(evin) M(aines) Petesch

Born1924 currently - 85 years old

Education: Attended Wayne State University; Boston University, B.S., 1955; Brandeis University, M.A., 1956; University of Texas at Austin, Ph.D., 1962. Avocational Interests: Residence in Spain and Mexico, Latin American literature.

A young woman (31) seeks to discover a mother.

A mother who at one time attempted to take her own life as well as that of her unborn child – the narrator.

An internal question and answer dialog. Causes of her abandonment, reasons...questions. Probing for her existence. Is she a ghost following her mother? Was she killed (aborted – hot topic in the late 1970s)?

Questions about her father.

Who was he?

A forbidden relationship, a shameful product of love. Who is he?

Feminist literature. – sigh- Sometimes I need to remind myself that these stories were written in the 1970’s. It’s just that it seems that the whole “woman/girl struggling with a child out of wedlock” theme is played out. I can’t imagine that this was something new in 1977/78 either.

Petesch presents the struggle in an interesting way but it seems like I saw the whole thing on an after school special.

I think this was the story that initially caused me to set aside this collection for awhile and move to something a bit more engaging.

Quote from Petesch:

“In nearly all my work, even in my (surreal) dystopian novel of the twenty-first century, The Leprosarium, I have tried to present characters whom I love and respect, who are wrestling with `the griefs of the ages' with love, death, and--now more than ever--Survival."

6 out of 10.