It seems that as this collection winds down, some real gems are surfacing.
Such a powerful little story – “Strays”. It’s so tightly written, each word, each sentence laid out perfectly.
Finishing it, I turned to the Contributor’s notes and found this little surprise.
“I was lucky. I had not written a word in weeks. Months. I had taken an attic room on the beach in Virginia Beach. It was summer. I would lay out and these words were in my brain: At night, stray dogs come up underneath our house to lick our leaking pipes. Over and over. I knew everything in I needed was in that sentence but I would not sit down in front of the machine.”
So to think that Mark was in that attic on the beach less than 20 miles from where I sit now, gives me a weird cosmic connection to the story – and to the author. I know it’s silly but I have a tendency to draw obscure connections.
I discovered a wonderful little interview with Richard by Bold Type – but unfortunately I couldn't find a date associated with it. No matter. I found some great little quotes to share. – I like the way this guy thinks!
With contemporary fiction, there's just so much of it that it's hard to sift through it all. I don't think people spend enough time reading the old stuff. There are so many contemporary novels that I read, and I think, so and so did this earlier and better. It's also the hallmark of a lazy writer to know all your classics so you can rob and steal and not have to waste your time trying to reinvent the wheel.
Q: You have an extensive work history, what are some of the more interesting jobs you've held?
A: In that, for me as a young person, in lieu of being in a war or something, it was physically and mentally demanding and pushed me to my limits so I could see what I was made out of. I think knowing your limitations is good, and I don't think there are a lot of opportunities for young people to have defining experiences, things that really push you to the edge of your abilities. For me, it was that coupled with the fact that I had been an invalid most of my adolescence. I was eager to overachieve, to push myself, and see what the limits of my new physical self was. I did a lot of different things that served their own purposes. All of them were great places to get material for stories. I didn't know it at the time; I thought I was misspending my youth, that I had wasted my college education and that I was a loser, all of which may be true.
I pulled these two selections from the interview so that I may offer a little relational comment. Part of the reason why I am engaged in this BASS project is so that I can be exposed to some of the greatest authors of the last 40 or so years.
I’ll put this out there right now – and this is the first time that it has been written here (and we've been here since 2008).
I’d like to write someday.
I’d like to write a fine little short story, send it out, receive the rejection letters, revise the story, pout, get angry, send it out again to a different set of magazines that might publish it, get more rejection letters and then repeat this dance over and over until one day, one of these little magazines decides to actually publish my little story.
That’s what I’d like to do. And I am spending all this time with these great authors in the hope that their technique, style and general badassness will rub off on me and give me my own technique, style and badassness.
So – there, now that’s out there. Deep breath.
The second selection I pulled, if you've read some of my other posts, you’d know that there were several periods in my life where I had defining experiences and they did indeed push me to my limits and I hope that one day I can pull from those experiences and place them on paper ( bold above).
So, I was very happy to meet Mr. Mark Richard.
He’s pushing me.
I like that.
I can feel it, it’s almost time.