Days of Heaven - Rick Bass

                                                

So happy to encounter Rick Bass along this journey once again. I was first introduced to him in 2012 with Cats And Students, Bubbles And Abysses. Looking back at that post, it seems that I enjoyed the story but had a bit of trouble fully understanding it. Meeting him again in 2017, through The Legend Of Pig-Eye was welcome and I really had a great time reading about the publication of the story and and thinking about the message. 

When I saw that Bass had a story in this collection, I was really looking forward to reading it - and more so after reading the first story in the collection that I wasn't especially fond of.

Days of Heaven is a beautiful story. Well, perhaps beautiful is the wrong word - but I can't seem to come up with another word right now that fits how I felt after reading it. 

I suppose what I enjoyed most about this story is that - well, it's a story. It didn't force me to seek something out within it (not that I don't mind the challenge). Bass simply, through his composition told a great story. 

A large part of what endears me to a story of course is how well I can relate to it - this seems obvious - right? 

I could see myself in another life, as a 20 something living as a caretaker in a cabin out west. I could see myself sharing the perspective of the main character, behaving like him and thinking of others, as he thinks of them. 

In the Contributor's Notes section at at the end of the collection, Bass writes quite a lot about the creation of this story and the multiple drafts and edits it went through with his editors (13, if I remember correctly).

In my spreadsheet of BASS authors, we will encounter Rick Bass again in 1996, 1999 and finally in 2001. 

I look forward to spending more time with him.



  

The Last Lovely City - Alice Adams




The last time we had the chance to spend some time with Alice Adams was a couple years ago when we were introduced to her as the editor for BASS 1991.  

I mentioned that she first appeared in The BASS in 1976 so I missed her by a couple of years as this project started with the 1978 collection. She is featured again with two stories after the guest editor spot in the BASS ’92 and ’96.

Adams appears first in the 1992 collection simply because of her last name. It seems that the editor and guest editor of these volumes have consistently agreed that the easiest way to order the stories is alphabetical by the authors last name - with the exception of BASS 1992 guest edited by John Gardner.

The Last Lovely City takes place along Stinson Beach California. With the incredible technology afforded to us in these times, I was able to visit the same beach town Alice did and decided to make as the setting for her story.

This story first appeared in The New Yorker in the March 11, 1991 issue. The U.S. had just finished active hostilities during Operation Desert Storm.

Personally, I felt that this story gave the anthology a bit of a rough takeoff. It's a story that still has the feel of the mid-1980s. I had to push myself through that time barrier to find a message that resonated with me - understanding that as with all of these stories, there is a very good chance that I would not find one.

And then, a simple paragraph tucked in towards the end made the connection.

"...the doctor finds that those giants from his dark and tangled past have quite suddenly receded: Delores and Tolliver have shrunk down to human size, the size of people accidentally encountered at a party. Such meeting can happen to anyone, easily, especially at a certain age."

I have reached the age - and have been the age to have the above happen on more than one occasion. The encounters cause quick butterflies to rise in your heart, quickening its beat and upon reflection hours later, perhaps at home after the meting, laying in bed reflecting, you realize how silly your mind was, building these people up from your past into "giants".

Time, once again has taught you a valuable lesson - a lesson that you will forget probably forget and replay several times more throughout your life.



The Way People Run – Christopher Tilghman

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