What I recognize and appreciate about Moore’s writing is
that I find it very accessible.
In a story that Moore calls a “stray” on her steps, she does
a wonderful job of pulling me in and capturing my interest in a character that
I normally wouldn’t find an attraction to.
I think that many can relate to this character as at some
point in our life we have felt that we were once “something”, or “could have
been something” but as our life moved forward things just didn’t pan out the way
that they should’ve. Perhaps those instances are just phases which land us in
uncomfortable situations – (not necessarily a Days Inn), but sometimes these
things can sink you for awhile.
The story felt very early ‘90s...perhaps that aided in the
appeal for me.
Moore was in her early 30s when she wrote this story – a bit
outside of the Generation X label but perhaps this gave her the skills to
translate some of those all too familiar clichés used to describe the
generation about to get tagged with this label.
But, as a story in a collection, wedged between other
shorts, I didn’t feel “full” at the end of the story.
I was given a taste, a few bites – but a few more would have
filled me up and left me completely satisfied.
Moore is a short story powerhouse as we will discover.
This is the second appearance by Moore in The BASS, with her
first being in 1990 – with You’re Ugly Too.
Moore appears 5 more times in The BASS – 1992, 1993, 1998,
1999 and 2013 with all the stories but one appearing in The New Yorker (outlier
is The Paris Review).
Moore was the guest editor of The Best American Short
Stories 2004 and in 2015, and she served as the guest editor for a centennial anthology from the series, 100
Years of The Best American Short Stories.
Willing was
published in the New Yorker in the May 14, 1990 issue.
I was still in high school – about a month away from
graduation - about to enter into a strange new world.
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