Change – Larry Woiwode



Larry Woiwode - October 30, 1941

The final story of this volume - and just by the luck of having a “W” beginning his last name, Calisher is able to leave us with a pleasant taste in our mouth as we finish this book.

Ordering the stories in these collections alphabetically by the authors last name is surely the most democratic way of presenting the stories but if I do feel it important for the volume editor to point out his/her favorite by placing them in the front of the book because I do not think that most readers of these collections read the book all the way through.

My assumption is that these books find their way onto bedside tables where they get buried under other “to read” books and I’m sure they are placed on the tanks of plenty of toilets where the stories are read during certain “duties”. It’s a shame that this was the last story of the book – it’s a real gem and I hope that more people seek it out.

Woiwode offers a strong story in “Change”. It should be no surprise given his talent and the popularity of his other writings. Today, he is a lesser known author and doesn’t seem to have survived (in the literature world) the early 80s.

One interesting little twist that I feel I must point out and that I am sure I will touch upon in a post concerning The BASS 1982.

Woiwode is the last author in this book. Again - last just because of his last name.

The next volume in The BASS, is of course 1982.

The volume editor for 1982 is John Gardner.

John Gardner died on September 14, 1982.

In addition to being the guest editor that year, he was the director of the Creative Writing Program at SUNY Binghamton.

Now the twist. - Who became the next director of that program after Gardner’s death?

Larry Woiwode.

Interesting.

Now, I’ll write about what passed through my head as I read and finished this wonderful story.

My thoughts are pretty far from the message that I think Woiwode was attempting to deliver – and I received it – but I’m not writing a story review.

I find myself reflecting once again on my father and his life, as his life and mind now seems to be closing in on itself like a dying star.

Just as the family next door to the main character in this short, my father grew up in a rough and tumble family.

Oldest of 4 kids – 2 younger brothers and a sister. They lived in what was considered the poorest part of Des Moines in a “Sears” house. I was told that his father ordered this house from Sears, and constructed on a chunk of land. A quick internet search yields up that yes, there were “Sears” houses...but I am certain that the houses in the catalog look nothing like what I remember seeing in the early 1990s.

My father ran in the alleys with a blonde Mohawk haircut – shoeless – cutoff shorts and most likely shirtless.

He got into fights, picked on kids and got into trouble – as one would expect a kid to do.

He would return home and sleep in the same bed with his brothers and the entire family would crowd around the table for meals where survival of the fittest came into play.

Several years ago, change came to my father’s old house just as change came to the family in the story.

The old white ‘Sears” house was demolished.

The destruction of the house had an impact on my father – I’m sure of it because he mentioned it quite often in the early days before he was officially diagnosed. It was one of those stories that he would tell over and over – and you’d just let him tell it because you figured that he was just getting old and “forget” that he told it several months prior.

Well – I suppose there was something more there – hidden deep inside.

Still of Some Use – John Updike



John Updike - March 18, 1932 – January 27, 2009

Another story by Updike. I was really looking forward to reading it because of my new fondness for his writing. I can’t wait to read more. I’ll say it again – or something along the lines of what I said before – I can’t believe that it has taken so ling for me to read him. What a true master.

Attics are wonderful places. The apartment M and I live in now, does not have an attic – so we are forced to use our closets and my mother’s attic for overflow storage.

My mother’s attic. I lived in that attic from about age 13 through 18 – and it is where I slept when I came home to visit during college breaks.

Through some of the most developmental years of my life, I lived in that attic, and the fact that I did, enhanced those years. I was free from the prying eyes of my mother – my sister and all those that I felt were snooping on me (at that age, someone is always snooping).

I decorated the walls with street signs, posters of bikini models (Cindy Crawford was a favorite) and was able to position my stereo perfectly to allow the outside world to hear the “music” I loved.

I burned incense – which stirred suspicions in my mother that I had turned the attic into some sort of opium den. It may have looked that like one but the strongest thing ingested up there was Pepsi.

I secreted away copies of Sports Illustrated swimsuit issues and even a couple – um- other titles that featured ladies in –um- not a lot of clothes.

It was like a tree house, a guy’s hideaway and I loved it.

A great room to grow up in.

Living in the attic with me was plenty of our family’s past. Old books from my parent’s college days, outdated encyclopedias, a loom, WWII Nazi trophies of war, old clothes, toys, old furniture and countless boxes of “junk”. On boring weekends, I’d venture to that side of the attic and sift through the boxes in an attempt to discover a bit more about my family. At times, I’d come across a nice piece of the puzzle...but mostly, there was plenty of junk.

Today, I venture up to the attic about once a month – usually looking for an old book. I stored most of my bachelor possessions up in the attic back in ’98 before I left for Romania, and about 80% of what I left there remains today. The boxes are filled with books and papers from college. Stuff I’m sure most guys like me have stashed away. There is even a suitcase filled with the remnants of my 2 years in Negresti - letters from home and of course – papers.

Attics are wonderful time capsules of our lives that should be explored from time to time.

One day, I’m sure I’ll find the time to unseal those boxes and open that suitcase and rediscover parts of my life.

My God- What Have I Done?!


These new purchases are outside of my reading. Sometimes you are presented with a deal too good to refuse.

"Every man must die sooner or later, but good books must be preserved."
Don Vincente

The Best American Short Stories 1969 ed. Martha Foley & David Burnett


1 The Eldest Child - Maeve Brennan- New Yorker Jun 23 ’68

9 Play Like I’m Sheriff - Jack Cady- Twigs #4 ’68

21 Murphy’s Xmas - Mark Costello- Transatlantic Review Win ’68

37 Walking Wounded - John Bart Gerald- Harper’s Aug ’68

49 The Foreigner in the Blood - Mary Gray Hughes- Esquire Feb ’68

69 The Boy in the Green Hat - Norma Klein- Prairie Schooner Sum ’68

81 Happiness - Mary Lavin- New Yorker Dec 14 ’68

99 The Boat - Alistair Macleod- Massachusetts Review Spr ’68

117 The Day the Flowers Came - David Madden- Playboy Sep ’68

129 Pictures of Fidelman - Bernard Malamud- Atlantic Monthly Dec ’68

147 Porkchops with Whiskey and Ice Cream - Matthew W. McGregor- The Virginia Quarterly Review Spr ’68

165 Gold Coast - James Alan McPherson- Atlantic Monthly Nov ’68

183 The Inheritance of Emmy One Horse [as by Christopher Garrard]- John R. Milton- The South Dakota Review Spr ’68

195 By the River - Joyce Carol Oates- December, 1968

213 The Visitation - Nancy Pelletier- Pansing Intr1 Sep ’68

233 Johnny Panic and the Bible of Dreams - Sylvia Plath- Atlantic Monthly Sep ’68

249 Paper Poppy - Miriam Rugel- The Kenyon Review #4 ’68

265 The Tea Bowl of Ninsei Nomura - Margaret Shipley- The Denver Quarterly Sum ’68

275 The Colony - Isaac Bashevis Singer- Commentary Nov ’68

287 Benjamen Burning - Joyce Madelon Winslow- Intr1 Sep ’68


The Best American Short Stories 1972 ed. Martha Foley


1 Gold M. F. Beal- New American Review #11 ’71

16 The World War I Los Angeles Airplane - Richard Brautigan- New American Review #12 ’71

20 Covenant - Kelly Cherry- Commentary, 1971

48 A Death on the East Side - Herbert Gold- Esquire May ’71

75 The Supremacy of the Hunza - Joanne Greenberg- Transatlantic Review, ‘71

93 The Breadman - Mary Heath- The Virginia Quarterly Review Sum ’71

113 Drums Again - Edward M. Holmes- The Virginia Quarterly Review Sum ’71

123 The Judge - Mary Gray Hughes- Atlantic Monthly Nov ’71

138 In Black and White - Ann Jones- The Virginia Quarterly Review Sum ’71

153 Three Washington Stories - Ward Just- Atlantic Monthly Dec ’71

180 His Day Out - Robert Kalechofsky- Western Humanities Review Sum ’71

193 The Further Adventures of Brunhild - Rebecca Kavaler- The Yale Review Aut ’71

212 Fox and Swan - John L’Heureux- Transatlantic Review, ‘71

226 Intimacy - Ralph Maloney- Atlantic Monthly Feb ’71

235 The Aesculapians - Marvin Mandell- Epoch Spr ’71

256 The Dock-Witch - Cynthia Ozick- Event Spr ’71

290 The Vacation - Joe Ashby Porter- Occident Fll ’71

309 The Magic Apple - Penelope Street- Occident, ‘71

324 Meet Me in the Green Glen - Robert Penn Warren- The Partisan Review, ‘71

347 Stealing Cars - Theodore Weesner- Audience, ‘71

373 The Guns in the Closet - Jose Yglesias- New Yorker, ‘71


The Best American Short Stories 1975 ed. Martha Foley


1 The Lie - Russell Banks- Fiction International #2/3 ’74

8 The School - Donald Barthelme- New Yorker Jun 17 ’74

12 How to Win - Rosellen Brown- Massachusetts Review v14 #4 ’74

26 Desert Matinee - Jerry Bumpus- Fiction International #2/3 ’74

37 Bambi Meets the Furies - Frederick Busch- The Ohio Review Fll ’74

47 Waiting for Astronauts - Nancy Chaikin- The Colorado Quarterly Aut ’74

59 Paths Unto the Dead - Mary Clearman- Georgia Review Sum ’74

69 Tyranny - Lyll Becerra de Jenkins- New Yorker, 1974

80 Cadence - Andre Dubus- The Sewanee Review Sum ’74

100 Big Boy - Jesse Hill- Ford Atlantic Monthly, 1974

111 The Spirit in Me - William Hoffman- The Sewanee Review Spr ’74

124 The Analyst - Evan Hunter- Playboy Dec ’74

137 How Jerem Came Home - Paul Kaser- The Colorado Quarterly Aut ’74

144 The Lost Salt Gift of Blood - Alistair Macleod- The Southern Review, 1974

162 The Burial - Jack Matthews- Georgia Review Win ’74

178 The Howard Parker Montcrief Hoax - Eugene McNamara- Canadian Fiction Magazine Win ’74

197 Night and Day at Panacea - Reynolds Price- Harper’s Aug ’74

212 Polonaise - Abraham Rothberg- Massachusetts Review v15 #4 ’74

254 Lullaby - Leslie Silko- Chicago Review v26 #1 ’74

264 The Man Who Lived - Barry Targan- Southern Review, 1974

278 The American Sickness - Jose Yglesias- Massachusetts Review v15 #4 ’74


The Best American Short Stories 1977 ed. Martha Foley


1 The Trouble with Being Food - Frederick Busch- Esquire, 1976

15 Tarzan Meets the Department Head - Price Caldwell- The Carleton Miscellany, 1976

24 Falconer - John Cheever- Playboy Jan ’76

43 At Peace - Ann Copeland- Canadian Fiction Magazine Aug ’76

66 Pleadings - John William Corrington- The Southern Review, 1976

102 Growing Up in No Time - Philip Damon- Hawaii Review, 1976

111 The Steinway Quintet - Leslie Epstein- Antæus, 1976

161 The Lover - Eugene K. Garber- Shenandoah, 1976

181 Look at a Teacup - Patricia Hampl- New Yorker, 1976

188 Rider Baine Kerr- The Denver Quarterly, 1976

205 A Questionnaire for Rudolph Gordon - John Matthews- Malahat Review Jul ’76

210 A Passion for History - Stephen Minot- The Sewanee Review Spr ’76

222 The Woman Who Thought Like a Man - Charles Newman- The Partisan Review v43 #4 ’76

235 Gay - Joyce Carol Oates- Playboy Dec ’76

256 Going After Cacciato - Tim O’Brien- Ploughshares Spr ’76

275 The Chink and the Clock People - Tom Robbins- American Review, 1976

291 A Fresno Fable - William Saroyan- New Yorker, 1976

293 Breed - John Sayles- Atlantic Monthly Jul ’76

317 Your Place Is Empty - Anne Tyler- New Yorker, 1976

338 Anthropology: What Is Lost in Rotation - William S. Wilson- Antæus, 1976

Ice – Elizabeth Tallent



Elizabeth Tallent – August 8, 1954

In the introduction to The BASS 1981, Calisher takes the reader aside and discusses what she feels is the typical New Yorker story. She does so right after mentioning that she requested “Ice” be placed into the collection - it was not a story that had been included by Ravenel.

I have no problem at all with the editor of the volume taking some liberties in the selection (Stephen King did so when he was editor), and I think that it can add a bit more substance to the collection. I’m not knocking Ravenel – she does a wonderful job in her selections as the series editor for the volume editor.

Calisher, in her description of the typical New Yorker story states that “Ice” is not a typical “New Yorker” story.

I’d have to disagree with her.

What I mean with mu disagreement is that in 1981, she placed a New Yorker story in The BASS that would fit perfectly in the New Yorker magazine today.

In the 1970s, New York City was still holding on pretty tight to the lead spot for all things lit in America.

Publishing, criticism, the talent – all there.

I can’t help but wonder if the blood of NYC lit is still tainted with what was established and driven into the souls of writers, editors, publishers and the critics of the 70s and 80s.

-As I read “Ice” I saw NYC and “The New Yorker” all over it.

A story from the 80’s that tastes of today.

Now, after thinking about all of the above and re-reading passages of “Ice” once again, and coming to the final line –

“You know, don’t you, that you are not yourself?”

This last line was written long before Tallent had any clue where it was going to be published.

I think that what I felt about this story could be best attributed to what Stephen King wrote about in the NYT Sunday Book Review back in 2007:

"What’s not so good is that writers write for whatever audience is left. In too many cases, that audience happens to consist of other writers and would-be writers who are reading the various literary magazines (and The New Yorker, of course, the holy grail of the young fiction writer) not to be entertained but to get an idea of what sells there. And this kind of reading isn’t real reading, the kind where you just can’t wait to find out what happens next "

The Way People Run – Christopher Tilghman

  When I was reading and writing here more frequently, I remember the feeling when the story delivered a surprise. I’m not talking about...