The One-Star Jew - David Evanier



This story took some getting used to. 

I hate that phrase.

Getting used to. I thought at one time the word was “ust”.

As in “getting ust to.”

I was under the impression that the word ust had a meaning unto itself.

Anyway, I had to look deeper into this story to find what it was attempting to teach me.

Again, I felt that this selection was an instruction into one’s place in life, a transition, as well as a discovery, of where one is positioned in the universe.

Are you Jewish? A Buddhist? A transcendentalist? An Atheist?

Can you be everything and nothing? Must you be grounded, or do you project a sense of being grounded to those you love and who you interact with our are you one who is soaring above the earth in your head...looking at the universe and all that it can become for you?

Is there a danger of not being grounded and flying too high? What is the limit?

As I’ve mentioned. I’m in a position in life where I am asking questions of myself in relation to where I stand with myself.

A spiraling circle of questions. I usually ask these questions on my runs where I spend over an hour or two or three on the road. I have plenty of time to think out there and to have an internal Q&A session with myself.

Rather than sitting still in a room concentrating on my breathing, I choose to spend my meditative moments on the road.

I like to think all of us go through life thinking about where we fit into this reality we live in, but, after working where I do, exploring what I do, I’m afraid that I believe that there is a low, dull monotone ringing across the mental landscape of a majority of my countryman’s minds. I just don’t see them thinking about themselves in a way that is as introspective as I would consider healthy for them.

I don’t need to get into a whole digression of where we are as a society an how we are now paying the price of what we have failed to see within ourselves over the past several decades. These stories will show that for me.

I just felt that this story was telling me that it was OK to settle back and constantly question where I am and where I am going.

It was a difficult story but one that provided and nice assuring lesson.

Score – 6 out of 10.

Long Calls – Frederick Busch



Frederick Busch August 1, 1941 - February 23, 2006

I have a couple of interviews open in my browser as I write this. They are interviews with the author of this selection. I am choosing not to read them before I write my piece on this story because I don’t want anything he says to contaminate what I want to write.

I did sneak a peak into one of the interviews, and it revealed that some of the discussion was going to be on the state of fiction during the time of the interview. (2005 – one year before his death)

The state of fiction is something that interest me and something that I think I have mentioned a few times in the past. I think, if I am careful, and my memory continues tio serve me that I will be able to see the different forms fiction and in particular the short story will take over the years as I read through these collections.

“Long Calls”.

This story served as a reminder that we all are worlds unto ourselves. We are and I am too guilty of this self absorption. We forget that everything that could and is going on in our lives, is simultaneously happening in someone else’s life...with a chance that it is impacting them, and those around them, with a greater degree of force than what is happening in your life at the moment.

David Foster Wallace did a nice job of illustrating this in his famous commencement speech.

I think though over the past few years, I have become better at realizing that the situation I am in now is one of relative ease and comfort. Things could be so much worse. I forget how lucky I am at times...but I do recognize that I am lucky.

Again, “Long Calls”, is a simple story giving us insight to the inner workings of a life, and the intersections, traffic, speed bumps and crashes that happen daily to people in our world.

We attempt to reach out to others, connect – heck, just survive with each other, passing along through this world, and at times we are met with characters that just are not agreeable with the current time we are in.

We need to keep in mind though that we can learn so much from everything, everybody we encounter. We need to see the signs and appreciate what others are trying to tell us. Open your eyes, and ears...your mind will follow.

Score – 7 out of 10.

The Emerald – Donald Barthelme



Donald Barthelme April 7, 1931 – July 23, 1989

I wrote rather recently about Barthelme and the struggles I had with him as an author...I guess I should say with his particular story that was contained in BASS 1979.

Coming across “The Emerald” as the first story within this edition of the BASS, I figured it was a sign that I needed to give him a second chance. I’ll admit that I wasn’t looking forward to reading this selection, and about ½ through the reading, I became quite discouraged and upset either with myself or with Barthelme.

It wasn’t until I finished the entire story that I realized the importance of this man. Yes, this story is only the second story of his that I have read, but this story, the form that it is in, not necessarily the message it conveys, (if one is conveyed at all) is what I found to be important here.

And, I’m not even sure if the word “form” is the correct word to use when I refer to how this story is presented.

What I am attempting to say, is that it is important to ingest a little poison from time to time. In literature, and in life.

The poison you take, either willingly or by mistake will make you sick for a moment but ultimately it will render your organism stronger once you have broken through to the “other side” and find yourself “normal”. But, your position of “normal” has been reset. You will never again be what you were before you took that poison – you are forever changed – a change that my not be at first apparent, but may emerge later in life.

When I spoke of transcending the mind in my previous posts, I had no idea that this particular story would align itself with my idea of transcendence.

I would venture to say that this particular story, at least for me, is about as close as you could get to a literary psychedelic trip. Again, I should qualify this statement and say that this thought is from my perspective

– now –

which of course will be changed forever – and I may, very will ingest, some more poison in the future that will set me back to thinking about what I think to be a transcending event.

I am not concerned with the actual message Barthelme is trying to relate to the reader. I just am taking in the free structure, the nonsense, the diction, the choice of words...how it flows together, and then dis-joints.

I’m glad that I had the chance to take this little hit of literary acid. It opened my eyes and mind to a new frontier in writing – I don’t feel that I had recognized that I had confined myself in a cage of what I thought the short story should be structured as. I need to remember that the form is quite nebulous...and I need to explore and attempt to understand all the shapes, dimensions and forms that it can be delivered.

-Sidenote- but is it really nebulous? Is there a predefined structure to the short? Who sets the rules? Why must they be followed?

As much as I like to think that I am open minded, and as much as I train myself to look at every situation from the opposite side or at least from another angle, I am a little upset with myself that I failed to see that the position of this story was strategically placed in order to set the reader up for the following shorts in the volume.

Elkin has opened the door for me (or the reader) to walk down a path of literature that I may not have recognized in previous readings of short stories. More specifically, stories from my time – the early 2000’s- through today.

The funny thing is, he is opening this door in the past (1980) and I have been stuck in the future. (Present day)

So it has taken a dead author, acting as an editor, to introduce me to another dead author, to educate me in the expansiveness of writing – 29 years in the past.

Woah.

(P.S. - Hi JESSAMYN)


Score 8 out of 10.

The Introduction


While I struggled through BASS 1978, I came across a story, that in my mind, was the finest that I had read up to that point in the anthology. It was entitled “The Conventional Wisdom” by Stanley Elkin. I gave it my normal treatment in a review...meandering sentences, dodging the actual pint of the story, and attempting to relate to the message the author was trying to impart through his writing.

I Scored it 10 out of 10.

As I stated, it was a story that would stay with me forever.

I know that I will come across others that rate as high and will probably surpass it in my rankings.

Stanley Elkin is the guest editor for BASS 1980. I feel that I have done ample research on him as an author through readings of interviews in such publications as “The Paris Review”, and listening to a couple of his interviews on “Wired for Books”, which is the Don Swaim radio interview show.

I also ran across references to meetings that JCO had with Elkin in her Journal.

The problem with doing so much research on him was that I started to construct a character Elkin and determine the types of stories he was going to select before even reading the introduction.

I suppose the best message that I received from Elkin in his introduction, was that he flatly stated that he chose the stories based on his taste. That the stories may or may not have been the “Best” but they were the “Best” according to his taste.

Well- that’s about as honest as you can get I suppose. I wouldn’t think that any of the guest editors would base their selections on much more.

I think that Elkin was fortunate enough though to come along early in the “guest editor” position and was able to get by in the introduction with almost stating the obvious. I’m not going to fault him for that in the least. It needs to be said and the reader needs to keep this in mind.

I think I also need to put something right out here before I continue writing about the introduction and the BASS of 1980.

I am intimidated by this particular collection. I have a strange feeling about the combination assembled.

There

That’s all I need to say about that.

I just wanted to get that out there. I hope that this feeling doesn’t shade my feelings about the individual writers or their works.

How could it not though?

There was a word that Elkin uses in his introduction and sometimes all it takes is a word for the mind to start churning.

Transcendence

I’ve been thinking a lot lately about transcending my mind, my consciousness, my reality. I have been looking at my behavior – everything from my dreams, my inner dialogue, my conversations with M, my selected podcast subscriptions, my running and finally, how in interpret what I am reading.

I’ll address my running first because I feel that this action is what is taking me to a “different level” of consciousness.

Simply put:

When I run, I ascend to a different level of consciousness. I know that there are all sorts of chemicals being released into my body triggered by my brain to manage what I am physically putting it through.

I run without headphones because I feel that this allows me to focus deeper on everything that I am going through. The sounds, smells, temperatures, changes in perception, etc.

An interesting thing happens though while I run. I do not “zone out”. I am hyper aware of my surroundings. At the same time, I am deep into my mind. I am solving problems, creating and discovering, and on my longest runs, this is where the most interesting things happen. I am almost guaranteed that I will hit the “High” caused by running. What I do with that “High” is what counts.

I feel that my entire outlook on life, my life, our life, has changed since I have taken on the long miles. I feel that it adds to my reading life as well.

So, as I have taken the “long miles” route in this introduction, I hope that the tastes of Elkin allow me to transcend my mind and help me along my journey.

Contents


The Emerald / Donald Barthelme
Long Calls / Frederick Busch
The One-Star Jew / David Evanier
The Remission / Mavis Gallant
Speck's Idea / Mavis Gallant
The Old Folks / William H. Gass
In Case of Survival / T. Gertler
The Faithful / Elizabeth Hardwick
The First Clean Fact / Larry Heinemann
Into the Wind / Robert Henderson
Lemon Tree / Curt Johnson
Friends / Grace Paley
Home / James Robison
Mama Tuddi Done Over / Leon Rooke
At the Anarchists' Convention / John Sayles
The Safe Deposit / Isaac Bashevis Singer
Dr. Cahn's Visit / Richard Stern
The Rags of Time / Barry Targan
The Old Forest / Peter Taylor
Gesturing / John Updike
Markowitz and the Gypsies / Norman Waksler
Hog's Heart / Gordon Weaver

Because I am a Geek

I have created a spreadsheet that you can access in Google Documents through the link below.

BASS author count 1978-2008

Column “A’ has the title of the story. Column “B” has the name of the author with the year of publication in BASS . I have sorted the author names alphabetically in order to count the number of times the authors have appeared in the anthology (just the years in my collection).

My life and these books


One of the exercises I am undertaking in this journal is the utilization of the stories to take me back in time to where I was in my life when the story was written.

It’s another connection exercise I can make.

Taking time to reflect and have some healthy dwelling on the past in an effort to recognize where I am today and the person I have become as a result of my past experiences.

The 80’s will see me pass through the 3rd - 12th grades.

The 90’s will see me in college, working at a liquor store, a restaurant and a gourmet food manufacturing warehouse. Travel to Russia and Peace Corps service in Romania.

The 2000’s will see me returning to America with a wife, finding work at a newspaper as a researcher, maintaining our happy life as a couple and looking forward to making some additions.

The 10’s which are only a couple of months away...who knows?

So, as I read along, I’ll touch on these dates and align them with my life.

Navel gazing?

Sure but it helps me.

1980 was an interesting year.

I touched on, in a previous post, the situation with my family. During this time in my life, I was a participant in the American destruction of the nuclear family. It was a collective action taken by heads of households across the country. The divorce fad was hot in the early 80’s.

In 1980, I was straddling the 2nd and 3rd grades. I attended Granby for 2nd grade and Stuart for 3rd.

I am pretty confident in making the statement that the divorce took place during this year and my Dad was living in Philadelphia sometime during this year.

As it should, my mind did a wonderful job at erasing the painful memories while leaving enough to burn a bit.

There are cases where a buried memory will return, usually though reading a passage in a story, and for a moment in time, I’ll be transported back to those hazy days.

1980 was the year that my mother, sister and I spent alone. It was just the three of us in that house. Tough times for my mother I’m sure. It got better later though.

My heart hurts thinking about those days. When I remember back to those times...that particular year, the image that seems to appear more than any other would be that of the three of us around the dining room table eating soup and sandwiches. The lights were dim due to low wattage bulbs, and it felt cold in the house. It was so quiet. I think, reflecting on that sense of stillness and quiet, is one of the reasons why I become uncomfortable at dining tables when no one speaks.

My mother obviously had a hard time with the divorce and remarried rather quickly.

So, 1980 was a year that could easily pass from my memory and I don’t think I would miss it. I’m sure in the upcoming volume; there will be times to reflect, once again, on this particular year.

  Before I dive into this wonderful little story, I’ll do what I always seem to do in these entries and wander down a path that has absolute...